Finally! Coming out of the fog of illness that was my summer...


Never give up hope, even in the darkest of times... A new day is dawning. I'm pleased to report that I'm feeling much better after a difficult summer. Thanks to everyone for your patience and understanding. I hope to be contributing to this blog on a more regular basis in the next few weeks.

As for now, you can find me on Twitter at http://www.twitter.com/Radio_Lady. Due to my improving health, I am spending less time on the computer and more time keeping myself in better shape. I've lost more than 10 lbs. by eating better food and LESS food. Also, I am committed to walking, swimming and completing household tasks that I could not do this summer.

I'm happy to hear from you and glad you could stop by! My best to you for the coming holiday season.

Cordially,

Ellen (@Radio_Lady on Twitter)
Monday, November 16, 2009

Hello to all! I'm posting this UPDATE on Monday, October 12, 2009.

This summer, I have been afflicted with a painful medical condition. No one can determine what has caused this. My daily routine changed radically in early June 2009. Even after all these months, there are no real answers to why I am feeling this kind of pain. Some research suggests I may have had rare adverse reactions to two routine vaccine injections administered in January and May of this year. Here are the details:

This unidentified illness (a lingering neuropathy) manifests itself with excruciating, radiating left chest, arm and back pain. The condition has had a profoundly negative impact on my day-to-day life.
Apparently, my heart is NOT the cause of the pain.

Ironically, the doctor ordered a routine echocardiogram (ultrasound) of my heart in August. There is a defined problem with one of the valves in my heart. The official diagnosis is mitral valve regurgitation (translation: valve is leaking blood in the wrong direction) which has been rated moderate to severe. I am now scheduled for another heart test (transesophageal echocardiogram) on October 13, 2009 to further evaluate the initial results.

I cannot spend as much time sitting at the computer because that makes the pain worse. I have to stay active and have increased walking and swimming. The doctors have placed me on medications so I can tolerate this illness. I require more rest every day and am struggling to achieve that goal. One doctor feels I may have to endure 6 - 12 months of general healing and pain control while my system regulates itself.

Please check my past blog posts. Also, look at the right column of this blog for a list of linked blogs. I believe there are some very interesting people in my personal blogosphere!

Thanks for your patience and understanding. Hope I'll be back soon when I'm more comfortable.
Feel free to leave me a comment. Cordially, Ellen & Al (Photo with my husband on Utah trip in 2007)



Original post date: September 8, 2009


It’s a tradition! Chaim Topol in Fiddler on the Roof – Last Chance tour!

Topol and the Company
Photo credit: © 2009, JOAN MARCUS


I give this musical play an "A+" on Ellen's Entertainment Report Card.

Fiddler on the Roof has closed in Portland, Oregon -- but you can still see it in the following cities: Buffalo, NY (Nov 17 - Nov 22), Atlanta, GA (Mar 16, 2010 - Mar 21, 2010), Appleton, WI (May 11, 2010 - May 15, 2010), Seattle, WA (Nov 27 - May 30, 2010), Philadelphia, PA (opening on June 5, 2010).

For more information, visit this link:
http://www.ticketwood.com/theater/Fiddler-on-the-Roof-Tickets/index.php

Tuesday’s opening night performance of Fiddler on the Roof started with just that: a fiddler performing on top of a small house, center-stage. Out walked Chaim Topol as Tevye (he won a Golden Globe in 1971 for the same role in the film adaptation), earning a rousing round of applause from the Keller Auditorium crowd.

He looked up at the musician overhead and mused, breaking the fourth wall and addressing the audience (as he did throughout the play), “A fiddler on the roof. Sounds crazy, no? But here, in our little village of Anatevka, you might say every one of us is a fiddler on the roof trying to scratch out a pleasant, simple tune without breaking his neck. It isn't easy. You may ask, 'Why do we stay up there if it's so dangerous?' Well, we stay because Anatevka is our home. And how do we keep our balance? That I can tell you in one word: tradition!”

Then, the large cast of townspeople launched into “Tradition,” one of many memorable musical numbers sprinkled throughout this classic story, based on the tales of Sholem Aleichem. When the song ended, Tevye said: “Traditions, traditions. Without our traditions our lives would be as shaky as, as ... as a fiddler on the roof!”

Yet, during the course of the story, Tevye discovers that some traditions should be reconsidered, and that change is inevitable. Indeed, the fiddler is ever-present throughout the story, playing a song of change and symbolizing the instability of life.

The story takes place in a Russian village during the revolution of 1905. Although life in Anatevka is simple, traditional and largely insulated, news of change abroad begins to filter into town and affect the youth—including Tevye the milkman’s five eligible daughters. As the three eldest girls embrace modern ideas about love and marriage, Tevye and wife Golde face difficult decisions.

While Fiddler is full of Tevye’s homespun philosophy and universal questions, it’s also rife with humor and boisterous song and dance. Topol leads the cast with his earnest, lovable portrayal of Topol, perhaps most endearing in his apostrophic conversations with God. Although the Israeli native isn’t quite as spry as he once was, his energetic dancing and animated performance belie his 73 years. And, considering this is his farewell tour, Topol really seemed to give it his all.

The rest of the cast was solid as well, with a standout performance by Susan Cella as the acerbic Golde. Throw in a live orchestra, dynamic set design and spot-on choreography, and Fiddler on the Roof is a first-class production that the whole family will appreciate.

Fiddler on the Roof is playing at the Keller Auditorium through August 30.

Due to the illness of Ellen Kimball, this review was adapted from Boca Raton magazine's Chelsea Greenwood online review posted in 4/2009. Thanks, Chelsea.

Fiddler on the Roof, the Tony® Award-winning musical that has captured the hearts of people all over the world with its universal appeal, plays here in Portland, Oregon, through Sunday, August 30. Local audiences have this singular opportunity to see 73-year-old Chaim Topol, star of the original motion picture, in his final U.S. performance of the award-winning role that made him a legend in Fiddler on the Roof.

Based on the stories of Sholom Aleichem, Fiddler on the Roof has been lauded by critics again and again, and won the hearts of people all around the world. Filled with a rousing, heartwarming score, which includes “Tradition,” “Matchmaker, Matchmaker,” “If I Were A Rich Man” and “Sunrise, Sunset,” Fiddler on the Roof is a timeless classic.

No other musical has so magically woven music and dance into such an electrifying and unforgettable experience. You’ll laugh and cry at the story of life in the small Russian village of Anatevka. Relive a glorious tradition of the musical theatre with TOPOL’s farewell performance in Fiddler on the Roof.

Ellen's remarks:

My paternal grandfather was an immigrant from Vilna, Russia. I was born Jewish and this could be well be the story of our family. Regrettably, Grandpa Harry Kimball died quite young. I never knew him nor was I able to talk with him about his Russian history. My former husband and I saw Zero Mostel, Theodore Bikel and Herschel Bernardi in the role of Tevye. We were somewhat disappointed years ago with the announcement that the movie would be starring the unknown (to us) Israeli actor Chaim Topol. However, over the years, the beloved Topol has proved himself to be a fine actor. He also has had the longevity necessary to still be standing on stage in 2009! That is an amazing accomplishment in and of itself!

Fiddler on the Roof
On stage through Sunday, August 30, 2009
Tuesday-Friday at 7:30pm
Saturday at 2pm & 7:30pm
Sunday at 2pm & 7:30pm* *Please note special performance times on Sunday.

All performances are at the Keller Auditorium, 222 SW Clay St at 3rd Ave, downtown Portland, Oregon. For tickets: In person: The Hampton Opera Center, 211 SE Caruthers Street, Portland, OR 97214 By Phone: 503-241-1802 or toll-free 1-866-739-6737 (M-F 9a-5p)

Chaim Topol as Tevye
Photo credit: © 2009, JOAN MARCUS

Wednesday, August 26, 2009


Movie Review: “(500) Days of Summer” (2009): Sweet yet solemn PG-13 romantic comedy with a realistic view of how love can be and often is.



Fox Searchlight has enriched the summer season immensely with a quirky and ultimately uplifting romantic comedy. If I had enough time and a couple glasses of wine, I could cite 500 reasons for going to this film. Suffice it to say that on a predicted hot weekend in Portland, Oregon, I’m going with my gut feelings. Suggest you buy your tickets now for this touching roller-coaster ride love story.

Handsome actor Joseph Gordon-Levitt (whom I have adored since his days in the TV hit “3rd Rock from the Sun”) plays Tom Hansen. Zooey Deschanel (beautiful and talented with those gorgeous eyes) plays his illusive love named Summer Finn. Tom is a hapless greeting card copywriter and hopeless romantic who once considered a career in architecture, but let it slip away. Summer becomes his office romance just briefly, but then dumps him. The timeline in the film shifts back and forth during their 500 day romance as Tom tries to unravel the Gordian knot and figure out what went awry. How he extracts himself from his situation is quite heart-rending. Ultimately, he reflects about his life until the final resolution. The path of love is meandering and unpredictable. Each relationship has its place in a lifetime of affections.

This is definitely not a formulaic romantic comedy and therein lies its charm. You’ll find the story prickly yet expansive, funny and sad. I ached for both main characters, laughed at their friends trying to help them. The film hits just the right note: a realistic, meandering chronicle of love’s highs and lows. The movie definitely doesn’t quite go where an audience might think it will. Even a yuppie senior curmudgeon can love this film.

I wish I could ask director Marc Webb why there are brackets around the number 500. I’ll use them without an explanation here. This movie deserves an ‘A’ on Ellen’s Entertainment Report Card.

MPAA rating: PG-13 (for sexual material and language)
Cast: Zooey Deschanel, Joseph Gordon-Levitt, Geoffrey Arend, Clark Gregg, Chloe Moretz, Minka Kelly and Rachel Boston
Director: Marc Webb
Writers: Scott Neustadter and Michael Weber
Running time: 1 hour, 36 minutes

####

Ellen Kimball is a TV and radio pioneer. She was selected as a co-host of a local, live children's television show at WTVJ-TV. Ch. 4 in Miami, Florida, during her freshman year in college. She has been working in communications for more than five decades. Ellen is one of the first women in the U.S. to host her own daily radio call-in talk shows at major market stations in Miami and Boston. Ellen and her husband moved to Beaverton, Oregon eleven years ago. She currently contributes her reviews on films, theater and other entertainment to www.KGW.com, the website of Ch. 8, the NBC-TV affiliate in Portland, Oregon.

Friday, July 24, 2009


CLASSIC MOVIES: 'The Little Prince' (1974)


'The Little Prince' is a fragile allegory in book form by Antoine de Saint-Exupéry. Millions of copies of the book have been sold in multiple languages. In college, our student group spent hours discussing it. It was my ex-husband's favorite book. The message it delivers is subtle, thoughtful and delicate. The illusive quality of the book is translated to film in this musical version by writer Alan Jay Lerner.

In the movie, the little prince is played by a handsome, pint-sized English child named Steven Warner with an ethereal voice. He's a beautiful blond boy and dressed up in his princely costume, he has a commanding presence. As far as I know, Steven Warner never pursued a career in theater or movies.

Actor Richard Kiley plays the wandering earthman. Kiley uses his robust voice on songs with precious lyrics that are sometimes caught up in unusual rhyme rather than reason. But Kiley's gorgeous baritone can be astounding and inspiring.

The story itself preaches the cause against wars and artificial borders between people. The peaceful allegory is not particularly easy to understand. Much of it deals with the problem of accepting responsibility. That's a tough thing to explain, especially to young children. Adults who have read the original book may form a cult following for this film, but if you take a child under twelve years of age, parents should be prepared to do some explaining of the film's message.

Best song in the movie is sung by Bob Fosse, who directed "Cabaret" and the movie "Lenny." Fosse sings and dances the part of "A Snake in the Grass." He's a slithering, sibilant, black-suited soul with snakeskin spats. Fosse's dancing is accurate and inspired. It comes like an oasis of fresh, realistic spirit in the parched, imaginary desert of Saint-Exupéry's mind.

Production values are excellent, with Christopher Callis' flawless photography, Norman Reyonolds' art direction, and Johny Barry's production design handled in fine fashion. Producer Stanley Donen might have taken a cue from the book's primary message. "It's only with the heart that one can see clearly. What's essential is invisible to the eye." That's a very difficult premise to work out in a visual film. The movie is now available on DVD for those who wish to experience it. It's probably an acquired taste, and I still treasure it for personal reasons.

I give this movie a B- on Ellen's Entertainment Report Card.

For more information on 'The Little Prince' (1974), please link to:

http://us.imdb.com/title/tt0071762/

(After the movie was gone from theaters, I purchased a vinyl recording of the music, which my husband transferred to audiotape cassette. The score to 'The Little Prince' became a favorite of mine for years, perhaps because I had a cute little son. I played that tape so many times, it because unusable. A few years ago, I purchased a VHS copy of the film from a seller at Amazon.com. My two grandchildren watched it once and they were both very bored! Perhaps this is a children's story for adults, if there is such a category!)

Saturday, July 18, 2009


BLAST FROM THE PAST: Classic Movies: 'Living Free' Review (1972)



'Living Free,' which I attended in a preview tonight at Wometco's Miracle Theater, is somehow muted in comparison to its predecessor, 'Born Free.'

The director must have realized the power of the original, since many minutes of the film's opening are taken up with footage from 'Born Free,' together with a blend of tonalities from the award-winning song. But that echo, that excitement just didn't seem to provide the required emotional involvement when it got down to the brass tacks of the 'Living Free' story.

Elsa, the mother lioness, has died from infection, leaving three orphaned cubs that must be taken from the area because they are stealing domestic animals from villagers. There was little personal involvement with the three cubs, perhaps because of the vow that Joy Adamson made not to interfere again with their wile and free lives. And so we are witness to a long round-up and corral of the three cubs to transport them to the Serengeti Ntional Forest, where they will presumably be living free again.

Nigel Davenport and Susan Hampshire, while both fine actors of good reputation, did not mesh together like the husband-and-wife acting team of Bill Travers and Virginia McKenna. Miss Hampshire was radiantly perfect in face and diction, and she seemed almost too courtly to be in Africa at all. The story line left wide questions about actual wildlife practice. Would two dedicated experts not even experiment with tranquilizers or other advanced methods to capture the lion cubs, rather than try to catch them with a rather crude triple cage method that involved three cubs going into three separate cages at precisely the same moment? It reminded me of the children's hand game where the little marbles have to fall simultaneously into the clown's eyes, nose and mouth in order to win. Nevertheless, to all people who loved 'Born Free,' you will find moments of tenderness and laughter, tears and playfulness. The scope and beauty of Africa is still there. It's just hard to have to compare a good film to a great one.

I give this film a 'B' on Ellen's Entertainment Report Card.

(Film opened on Friday, March 10, 1972 in Miami, Florida.)

Link here for Internet Movie Database page: http://www.imdb.com/title/tt0068866/

Wednesday, July 8, 2009


Latest 'Ice Age: Dawn of the Dinosaurs 3D' a summer blast for all ages

By ELLEN KIMBALL, Special to kgw.com

I want to confess. Surely you know confession is good for the mind and the soul (if there really IS a soul). It’s refreshing, and it seems to be all the rage this summer.

I loved every cotton-pickin’, chicken-pluckin’ minute of “Ice Age: Dawn of the Dinosaurs 3-D” now playing in theaters. Loved the idea, loved the two other films very much, and thoroughly enjoyed the 3-D effects. This movie is all I wanted it to be.

You won’t be able to dissuade me from my point of view because I like what I like. Now, don’t go all cerebral on me! I could pick the script apart if I wanted to, and there were pieces of the film that could have been improved. Offhand, I can’t think of one, so sue me.

It’s a summer film in a genre which I have always thoroughly enjoyed.

Another confession. Ray Romano can do no wrong in my book. Maybe he sounds like the two New Yorkers to whom I was married. Now I’m married to a Bostonian whose Brooklyn mother -- reminds me of Ray Romano. His self-deprecating family humor tickles my funny bone and it has for many years. So I was primed to see this film.

The “Ice Age” intro was great fun, as always, with the Scrat the squirrel, voiced by Chris Wedge, trying to save his acorn from destruction. In this film, there’s a new female squirrel called Scratte (I think there should be an accent mark on that final E so it sounds like “Scrat-TAY”). Their hysterical antics as they scrap over that single acorn defy verbal description.

I took my eight-year-old grandson to the preview screening. If he hadn’t loved “Ice Age 3-D” right away, I’d try to cajole him to see it again.

That wasn’t necessary; my grandson loves it, too, just like he loved the other two films. He says the best part is where the animals find themselves in the green toxic atmosphere. It doesn’t hurt them, but it alters their voices to a higher register, making them sound as if they are breathing helium, much to everyone’s great delight.

Memo to Grandma Ellen, a former children’s live TV co-host in the late 1950s: I have to get my grandson a helium balloon so he can actually try this!

Now, the big pats on their furry backs to the whole voice cast, including Ray Romano (Manny the Mammoth), Queen Latifah (Ellie the Mammoth, expecting a BABY), Denis Leary (Diego, the old saber-toothed tiger, feeling as if he is slowing down), John Leguizamo (Sid the Sloth as a reluctant but loving single father to three cutie-pie dinosaurs). How DOES Leguizamo do the voice of the lisping sloth for line after line? I tried it and it’s NOT easy!

There is a long list of other voice parts and a couple of special newcomers: Simon Pegg as Buck the Weasel (sounding like Johnny Depp in "Pirates of the Caribbean") and Karen Disher as newcomer Scratte, the female squirrel.

The film is a treasure trove of exquisite computer renderings of characters and scenery, neat dialogue, saucy retorts, and some sweet romance.

There are double-meaning jokes and sly low-brow innuendoes. Scenes of ice and snow are beautifully rendered, and when the group goes “down under” to a jungle setting with dinosaurs and volcanos, it’s another kind of gorgeous. The new song, “Walk The Dinosaur" is delightful.

It’s a busy week just before the July 4th holiday. If you have time, take the family to see this film. It’s rated PG. I just want you to see the film. I’m giving it an “A” on Ellen’s Entertainment Report Card.

Directed by: Carlos Saldanha

Cast: Ray Romano, Denis Leary, John Leguizamo, Simon Pegg

Running Time: 1 hr 35 mins

Rating: PG

Release Date: July 1, 2009

Background: I’ve been mesmerized by animated movies since Mommy carried me out of the theater in 1940-something. I was watching “Bambi” when I became terrified and started to scream after Bambi’s mother was killed. Who knew that this early trauma would set the stage for a lifelong devotion to animated films? Watching cartoons on Saturday morning at the Rosetta Theater in Little River, near Miami, Florida, became an obsession. I loved every minute of these precious short films.

This was the time when animators actually drew on cells made of celluloid. I’ve observed the process in film school and tried my best to update my little stick figure drawings to something more.

But I didn’t have much talent, except for drawing a pretty good palm tree. I lived in Florida for 28 years. So, for most of my seventy years, I’ve followed animation and just enjoyed it. I'm not old enough to remember Steamboat Willie (precursor to Mickey Mouse), but did study that cartoon in film school.

####

Ellen Kimball is a TV and radio pioneer. She was selected as a co-host of a local, live children's television show at WTVJ-TV. Ch. 4 in Miami, Florida, during her freshman year in college. She has been working in broadcasting for more than five decades. Ellen is one of the first women in the U.S. to host her own daily radio call-in talk shows at major market stations in Miami and Boston. Ellen and her husband moved to Beaverton, Oregon eleven years ago. She currently contributes her reviews on films, theater and other entertainment to www.KGW.com, the website of Ch. 8, the NBC-TV affiliate in Portland, Oregon.

Wednesday, July 1, 2009



Year One – New Bible-Based Movie Won’t be Touted from Pulpits ‘cause It’s The Pits! (Opens Friday, June 19, 2009)


Hello from Digipix_Man (Ellen's husband):

We've been talking about this film for two days, so I'm chiming in first. If you believe the literal Old Testament account of the Creation of the Earth in seven days, you’ll be really surprised at what happens in “Year One,” the new Jack Black movie. Even if you aren't, you could be shocked that they would have the – the – the male parts necessary to produce such a piece of cinematic tripe. (I could have said worse.)

It's a summer movie and we're not expecting genius. My wife wanted to know if it's worse than “Jackass” the movie. I hadn’t thought of “Year One” as a sequel but Jack Black certainly qualifies as a jackass. I wonder if 'Ass' is his middle name. From now on, I won't think of Jack by any other name than Jackass Black. Hee haw.

Hebrews and Sodomites alike appear in this slapped together PG-13 film. Some Roman gladiators are thrown in for the hell of it. A couple of funny foreskin jokes tickled me (I was born Jewish and circumcised). But there's no connected story line and timelines are wrong and jarring.

See this movie at your own peril. It's crude and stupid. If you laugh too much, I wouldn’t admit it to anyone over the age of two.

Submitted by DigiPix_Man (Ellen's No-Blog husband with a mind of his own)

Ellen: Thanks, sweetie. Go do your digital photo album. I'm up now.

It's summertime and we decided to take a crack at watching a preview screening. My husband absolutely hated this movie and vents his spleen above. He also slept through parts of the film. He was awake for the endless chain of foreskin jokes -- I love Hank Azaria in anything he does. These jokes are a regular routine in Jewish humor from way back.

I channeled my inner five-year-old and chuckled loudly at much of the craziness. I love comedy, highbrow and lowbrow. This was kind of "dark circles under eye" comedy. It includes all the body parts we just don't usually talk about.

Now, I am definitely NOT a prude. I've been a bawdy, sexy, outspoken and dramatic performer since babyhood. Mom used to tell me I pulled my pants down at age 3 in Zecher's Market in Pittsburgh and threw a tantrum. An only child, I remember lyrics to musical theater songs, can recall and recite a number of radio commercials from the 1940s forward. I also love wordplay, accents, Biblical references and really twisted language. I co-hosted a children's TV show in Miami, Florida during college, and took care of children in a live audience every weekday from 5PM to 6PM.

My drama teacher in high school, a closeted gay man, became my total passion for two years. He was my homeroom teacher. He told me he was seeing a bit player who was in the movie "Quo Vadis." I was an all "A" student. I copied my teacher's handwriting. He cast me as the lead in the Senior Class play, "A Man Called Peter." I played Catherine Marshall, Peter's wife. (RIP Ernest B. Montgomery, Johnson City, Tenn. who commited suicide on May 15, 1956, just prior to my high school graduation.)

Later, I worked with homosexual males (and females) in the theater, in a variety of NYC offices, and again as a Clairol haircoloring representative for their Professional Products Division. I love makeup, fashion, and costume. I've been called a drama queen and I consider that a compliment.

I questioned, then abandoned the precepts that organized religion tried to pump into me in the Jewish temples I dutifully attended.

"Year One" did tickle the funnybone that Mel Brooks, Zero Mostel, and Lenny Bruce had tickled way before Jack Black. I love Michael Cera and Jack Black, but this movie has AMATEUR NIGHT and SKITS WOVEN TOGETHER written all over it. Much of the acting seemed like improvization. Editing and continuity issues kept creeping up. The storyline was not at all in-line. In my mind, I kept thinking that one scene situation didn't really resolve itself. It just stopped, leaving me to figure the scene out for myself. Then, these cardboard cartoon characters came back fully whole in the next scene.

I give this movie a D on Ellen's Entertainment Report card. It's not that it's terrible, it's just that it could have been much better, given all the talent that was clearly available. This movie is rated PG-13.

Official website: http://www.sonypictures.com/movies/yearone/

Friday, June 19, 2009



UP and away with Pixar/Disney's new 3D winner (Opens Friday, May 29)



A few days ago, I saw a preview of 'Up' the new Pixar movie. It brought back some vivid memories from my younger days, and much of what has transpired since that time. During my senior year in high school, I saw a short French film called 'The Red Balloon.' If you've never seen it, this surreal movie is about a handsome young boy followed around Paris, France by a single red balloon. It trails him here and there until the boy is finally carried away by the red balloon -- tied in with all its "cousins" -- straight up into the stratosphere. That's where the story stops.

'The Red Balloon' won an Oscar for Best Screenplay and several other awards for Albert Lamorisse in 1957. Touching and sweet, you are able to believe what you wish about the main character in that film. What's clear is that UP is always better than DOWN and it's that way for a reason. After all, there are Heaven and Hell -- the fresh sweet breezy blue sky with white clouds versus the dark and gloomy ground. We dare not even mention the underground.

The long awaited Pixar/Disney film 'Up' seems to have evolved from a similar ultra-simple tale. I believe Monsieur Lamorisse would have loved it! 'Up' is a very pleasing potpourri of charming and devilish characters, lavish images, transcendent music, and magnificent backgrounds. The story plays out very well in two unique realms. For me, it was a sentimental comedy. One minute I was sniffling as the elderly main characters find each other, live and love as they play out their structured life, dreaming of adventure somewhere along the road. But life itself interferes as it will, and the couple never gets to fulfill their joint dream.

Especially touching -- during this week of my 70th birthday on 5/31 -- is the square-faced, elderly character of Carl Fredrickson, a balloon salesman, voiced by the gruff-and-funny character actor Ed Asner. Clearly, Asner enjoys the whole thing. The other voices are also recognizable are Christopher Plummer (no longer the handsome Captain with seven children, but still going after all these years) and John Ratzenberger (the postal employee from 'Cheers').

After a life-altering situation occurs, and the movie switches gears. Then it becomes a comical "buddy roadtrip" with some intensity in the later action. Kudos to the decision to use a decidedly rotund animated Asian character for the cuddly young Wilderness Scout who accidentally accompanies Carl in his late-life adventures. Jordan Nagai is extremely talented with a voice that clearly captures all of the emotion of this key character.

'Up' has quite a few jokes. Between my eight-year-old grandson laughing on my left side, and a well-known and admired writer/film reviewer chortling on the other side, I probably missed a few. This movie will be a must-see for the second time.

It's only mid-year, and 'Up' takes its rightful place at the top of the picture-perfect pantheon of Pixar movies. It will be hard to imagine another movie outpacing this one for best animation awards in 2009.

So, my advice is to take the ride. See it in Disney 3-D if you can, which adds to the experience. Know that you can help guide the balloons of your life where you wish to go. If you are lucky, you might be able to fulfill most of your dreams right to the very end. There really is no other choice. Life will sweep you up anyway, and you must go with it, even if you have to deal with downdrafts along the way.

I'm pleased to give 'Up' an 'A' on Ellen's Entertainment Report Card.

Official website and trailer: http://disney.go.com/disneypictures/up/

Genre: Animation/Adventure
Rating: PG for some peril and action. (Parents: Be aware that the movie contains allusions to a woman's infertility and a brief death sequence. This is handled in a very acceptable way for most people.)
Runtime: 98 minutes
Director: Pete Docter
Co-Director: Bob Peterson
Composer: Michael Giacchino

Thursday, May 28, 2009


Me 'n' Larry King -- "My Remarkable Journey" (Book release May 19, 2009)


Larry, I know your new book "My Remarkable Journey" will be out in bookstores in a few days. I hope to read it, and I'm sure there are no footnotes about me in it! But I did cross paths with you briefly in the late 50s, and then again in 1971. My life changed dramatically because I reached out to you.

For years, I've had a lot of fun with this quote: "I dated Larry King, but never married him. Of course, he never asked me!"

This message is heartfelt. I just want to thank you for being in my life in the early times and offering me encouragement. We had one rather forgettable date in the 1950s, when you were on radio at WAHR with your alter-ego Captain Wainwright, the crooked Miami cop on filter mike -- I loved that character!

I was on television at Miami's WTVJ Channel 4 with "Skipper" Chuck Zink on "Popeye Playhouse," the local live children's show that ran from 1957 to 1979. I was the first "First Mate" on the show while in my first year of college (1957-58). Larry, you and I were introduced by WTVJ salesman Frank Boscia, who thought we might have something in common. You are five years older than I am, and we are both from Jewish backgrounds. I think we ate at the drive-in restaurant Pickin' Chicken, but don't recall much else. I already had fallen in love, but not with you...





In 1962, I graduated with a B.A. in Communications with honors from the University of Miami and moved to New York City. I had a successful career as a production assistant at NBC's "Tonight" unit, working for Dick Carson, Johnny Carson's brother, who directed the show at that time. Later, I worked with NBC's documentary news division. I was On-Air Promotion Supervisor at WPIX Channel 11, and did copywriting for several advertising agencies. One production job was with Barry Gray at WMCA, who was credited as the first talk host to put telephone calls on the radio in the early 1960s. I had no idea at the time that I would ever perform on TV -- or radio -- again!



I married classmate Peter R. in 1963. He had emigrated to New York as a small boy with his parents. They lived in Washington Heights. Peter was an aspiring TV producer and film director with a degree from UCLA. Peter achieved a responsible job with ABC, working with the program development group and then with the Wide World of Sports unit. We had a beautiful daughter born in October 1968. Peter's dreams of success in his chosen field were not to be. He became disillusioned, but he had one final job offer with Reela Films in Miami, working on documentary fillms. We moved back to Florida in March 1969 with our tiny daughter. I got pregnant almost immediately. Our second child, David, was born at Miami's Mercy Hospital in December 1969. The Reela job evaporated. After Peter's career crisis, two children, and eight years of marriage, he chose to divorce me. My parents were unable to help, and I had to support myself, the two kids, and a dog. Peter remarried another woman in April 1971, three weeks after our divorce.



Larry, I reconnected with you in the summer of 1971. I was divorced and working some very menial jobs for little pay. I had the two tiny children to care for, and a monthly home mortgage to cover. One early morning, I was driving from Miami Beach to Opa Locka. You were on WIOD and you called out for someone to PLEEZE bring you donuts and coffee. I stopped at a local shop and bought the refreshments you requested. Although you didn't remember me from our brief encounter in the 1950s, you invited me to stay and screen your calls before they went on the air. I kept dropping in and you promised that you would talk to the program manager about some compensation for my work. One day, I began to supply you with hour-long "woman in the mall" cassette tapes when you started to fall asleep at the microphone. Somewhere along the way, a listener re-named me "Ellen Rainbow" which is just a few letters added to my ex-husband's name.

You kept me busy, interested, and even laughing for those difficult months in the fall and winter. But a few days before Christmas 1971, you were gone -- caught in a legal monetary tangle that I barely understood.

I have not seen nor spoken you from that day to this. Of course, I know your career reignited on Westwood Radio and then on CNN for years. I was so happy you were back!

These are some newspaper clippings which I recently recovered:


After you were gone, WIOD Program Manager "Biggie" Nevins hired me do the night show shift three times a week, while they looked for a male host to replace you. He paid me $50 each night I hosted. I might have ended up who-knows-where if I had not had that income.

In the first few months of 1972, I did a show with Larry Johnson in Chicago via WATS lines. Then, we patched in with Bruce Lee on Boston's WEEI-AM. (No, not THAT Bruce Lee!) Bruce saved the tape and called me. He said CBS was looking for a woman to do 10 AM to 2 PM. I had to make the first contact with Program Manager Dan Griffin, because if they called me, it would be "talent raiding." At the time, WEEI was owned and operated by CBS and a union shop. WIOD was affiliated with NBC. WEEI management flew me to Massachusetts for a marathon interview on April 28, 1972. It was a glorious spring day that will live in my memory forever. Barbara Trombley, one of my former WIOD guests, took me around to see Boston sights. I was immediately enchanted by this historical city and the beautiful temperate weather.

Dan Griffin offered me the job a few days later. I gave my children to my ex-husband and his wife temporarily, and told them I would let them know when I was settled in an appropriate living space. I packed up my Volvo and my Cocker Spaniel dog, drove to northern Florida, boarded the Autotrain, got off in Virginia, and headed up to Boston.

On May 15, 1972, I started a brand new gig as the first woman with a daily, four-hour radio talk show in Boston. At the beginning, I worked six days each week, four hours a day Mon. thru Sat. on "Boston Forum with Ellen Kimball." Imagine! I was talking for 24 solid hours each week. It was a crushing schedule, but I kept it going for months. Finally, management relented and newsman Ben Farnsworth took over the Saturday show. My show was eventually renamed "The Ellen Kimball Show."



A few years later, another Boston station, WMEX AM, hired me after WEEI changed their format:


I met a widower with three older children in June 1972. He is from a Jewish background, and five years older than I am. His first wife had died at age 34 from cancer. He was trained as an electrical engineer, and later became a software analyst. We married on February 4, 1973 and we will celebrate 37 years of marriage in 2010.

Our wedding day. Daughter Linda is one year younger than Larry's daughter Chaia. Son David is 14 months younger than his sister.

My husband and I moved from Boston to Portland, Oregon eleven years ago. I will be 70 years old on May 31st, and my husband will be 75 on June 23rd. It has been a full life. Yes, there have been stepfamily setbacks, but we are now enjoying worldwide travel, photography, swimming, Broadway musicals, and having fun with our young grandchildren. I review entertainment for www.KGW.com, the website of Channel 8, the NBC-TV affiliate in Portland. It's a volunteer job for which I receive no compensation.

Thanks for being who you are, and for helping me along my remarkable journey.

Sincerely,



Ellen Kimball (Radio_Lady)

http://ellenkimball.blogspot.com

Tweet me! @Radio_Lady
Larry is on Twitter @kingsthings

PS. In 2006, I called Steve Z., the radio engineer with whom Larry and I worked at WIOD. Steve is a charming and wonderful guy, now retired from Cox Broadcasting and living in Venice, Florida. He entertains me daily with a hefty array of fascinating emails and we speak by telephone quite frequently.

Larry with his wife, Shawn Southwick. and their two young boys, Chance and Cannon:


Friday, May 15, 2009